The Fast Saga Movies Make No Sense

I feel like I should start this post with an apology. This isn’t the sort of content you usually come here for. But I’ve had a rant building up in my head for years, and after the recent title reveal of the franchise’s final entry, I can no longer remain silent.

There is no logical coherence—none whatsoever—to the naming of the many, many sequels to 2001’s The Fast and the Furious.

My complaint is completely unrelated to the plot of the films, which I actually quite enjoy. Considering the series is a multi-decade action/racing juggernaut with a good deal of soap opera drama thrown in, we can forgive the odd plot hole, dropped storyline, or retconned fake death. After all, the main purpose of these movies is to have fun; narrative is secondary.

But the titles, they’re just unforgivably bad. And considering the fact that these names are how people will be referring to these films forever, you would expect the creative teams to have done a better job.

Let’s briefly walk through each entry in the series together and consider the franchise’s naming scheme, to the extent that there is one.

  • The Fast and the Furious (2001): This is a great name for a movie. It tells you everything you need to know going in: There’s going to be racing, and there’s going to be drama. 10/10.

  • 2 Fast 2 Furious (2003): The too/two pun is a little played out, but I’ll give them this one. At the very least, it’s clear that this is a sequel to the first movie.

  • The Fast and the Furious: Tokyo Drift (2006): At the time, this seemed more like a spin-off than an actual sequel. But Tokyo Drift is a pretty cool name for a movie, and this film gives us our first indication of what the series is called: The Fast and the Furious. Not bad.

  • Fast & Furious (2009): This is where things start to go off the rails naming-wise. The fourth film in The Fast and the Furious franchise is called Fast & Furious? Like, the original name but without the “the”? Maybe it was supposed to be edgy or represent a new, more focused direction for the films, but to me, it just seems lazy.

  • Fast Five (2011): We’re going back to the basics. No fancy puns, and no sharing names with a previous, separate film. This movie is about fast cars, and it’s the fifth one. Makes total sense.

  • Fast & Furious 6 (2013): What in the world were they thinking here? They go back to the original movie’s title, drop the “the,” and add a six to the end of it. Is it the sixth movie following Fast and Furious? No, that one was only two movies ago. You have to add the silent “the”s back into this one to understand it. This movie name is stupid and should feel bad.

  • Furious 7 (2015): Again, the movie titles work best when they are simple. You get some “fast” or some “furious” and a number. It’s all you need. Why mess with perfection?

  • The Fate of the Furious (2017): The puns have gotten completely out of control. Someone figured out that an F next to an 8 kind of sounds like “fate,” so they ran with it. It’s not a good play on words, people. The title also implies that this is the final movie since it reveals the characters’ fate. But of course, there are three more movies after this. Or maybe two if you ask Vin Diesel, but we’ll get to that in a minute.

  • Fast & Furious Presents: Hobbs & Shaw (2019): The saga’s first and so far only spin-off. Hobbs & Shaw tells us who the main characters are, so that tracks. But confusingly, this film introduces a new name for the series. It’s no longer The Fast and the Furious, it’s just Fast & Furious. Okay then.

  • F9: The Fast Saga (2021): This time, they didn’t even bother to pick one of their two F-words. It’s just F this time. You get it, right? The series is also now on its third title, switching to The Fast Saga. I have no idea what to call this loosely-related pile of movies anymore.

  • Fast X (2023): As the series nears its end, the creators have decided to honor its legacy by switching to a fancy Roman numeral in the title. How many people are going to call this one Fast Ex? I do give them credit for not trying to make a “Fasten your seatbelts” pun, though. That took some self-control.

  • Fast X: Part 2 (2025): And finally, we get to the last entry in the Fast Saga, and perhaps its most poorly-named. I guess ending a series on the number 11 would be awkward, so they decided to make Fast X a two-parter. Because what’s better than one number in the title of a movie? Two numbers.

It’s the second part of the tenth film in the most chaotically- and nonsensically-named franchise in movie history. If anyone remembers these films in 2045, it’s going to take ten solid minutes of searching to figure out which one we’re referring to in conversation. “Was that the one with the ‘the’ in the title or not?”

To be fair, it is very on-brand. The movies are stupid, fun, and shallow with no real message other than, “Cars are cool,” and, “Family is all you need.” But also, most of the villains are somehow related to the heroes, so maybe that last message is a bit murky.

I’m still going to watch the last movie though, both when it releases in 2023 and when it releases in 2025. Because if The Fast Saga—or whatever we’re calling it now—has taught me anything, it’s that explosions and car chases are awesome, and I’ll apparently watch them no matter what the movie’s called.


Update on July 17, 2023:

During a discussion of the series on Mastodon, Marty Day helpfully pointed out that the Fast Saga films have completely different titles in Japan, and they are amazing. I wish they used these names internationally:

  • Wild Speed (The Fast and the Furious)

  • Wild Speed X2 (2 Fast 2 Furious)

  • Wild Speed X3: Tokyo Drift (The Fast and the Furious: Tokyo Drift)

  • Wild Speed MAX (Fast & Furious)

  • Wild Speed MEGA MAX (Fast Five)

  • Wild Speed: Euro Mission (Fast & Furious 6)

  • Wild Speed: Sky Mission (Furious 7)

  • Wild Speed: Ice Break (The Fate of the Furious)

  • Wild Speed: Super Combo (Fast & Furious Presents: Hobbs & Shaw)

  • Wild Speed: Jet Break (F9)

  • Wild Speed: Fire Boost (Fast X)

These titles are exciting and, importantly, distinct from one another. As long as they stick the landing with Fast X: Part 2—and I’m confident they will—these will become the canonical titles in my mind.

Safari Extensions

It’s been a year and a half since Apple added Safari extension support to iOS and iPadOS, and I’ve been pleasantly surprised by how popular they are. If you’ve never used one, a Safari extension is a tool that adds functionality to the web browser on your iPhone, iPad, or Mac. They’re really cool.

I recently revamped my approach to Safari extensions, removing a few that I didn’t find useful anymore and taking on a couple that I thought might make my browsing experience better. Here are the Safari extensions I’m using right now:

  • Mapper: I use Apple Maps for navigating, but most address links online send you to Google Maps. Rather than copying and pasting addresses from the web, I use Mapper. It automatically redirects any Google Maps links to Apple Maps. This extension alone has saved me so much time and so many headaches. ($2 one-time purchase.)

  • Vinegar: I enjoy watching YouTube videos, but I don’t love YouTube’s video player. Vinegar automatically replaces YouTube’s player with the standard Apple video player, which I find easier to use. I’ve been using this extension ever since it came out, and I can’t imagine watching videos online without it. ($2 one-time purchase.)

  • Baking Soda: What Vinegar does for YouTube, Baking Soda does for other videos you come across in Safari. I love the ability to watch any video online in the standard Apple video player. ($2 one-time purchase, or available in a bundle with Vinegar for $3.)

  • Noir: Some website offer a special dark mode to match your device’s display settings. For everything else, there’s Noir. It will detect when your device is in dark mode and automatically darken the websites you visit if they don’t have a dark theme of their own. ($3 one-time purchase on iPhone and iPad; separate $3 one-time purchase on Mac.)

  • 1Blocker: I don’t have an issue with online ads per se. Everyone has to pay their bills. But some websites have gotten out of control with overwhelming, intrusive ads that keep me from enjoying the content. 1Blocker removes the ads on those sites while enabling me to allow them on the websites I know are respectful and just trying to keep offering good content. (Free ad-blocking; $15/year to unlock other features like blocking web and app trackers.)

  • Banish: Banish blocks those annoying “Open in App” banners on websites like Reddit and Google Docs. Sometimes I just want to use the web! ($3 one-time purchase.)

  • Hush: This is the latest addition to my collection, and it’s working great so far. Hush blocks cookie notice on websites so you don’t have to click the “Accept” button every time you shop online or read the news. (Free.)

  • Web Inspector: There isn’t a built-in webpage inspector in Safari on iPhone and iPad, but that’s okay because Web Inspector fulfills that need nicely. I like this one because it includes the ability to search a page’s code for specific text, which makes it easy for me to find exactly what I need. (Free.)

  • Amplosion: Have you ever clicked on a news article in Google results and been taken to a weird, Google-ified version of the page rather than the actual website? I haven’t for a long time, thanks to Amplosion. It redirects you away from AMP pages to the real sites you’re trying to access. ($2 one-time purchase.)

Most of these extensions are available on iPhone, iPad, and Mac. And last year, Apple added the ability to sync extensions across devices, making it easy for me to have a consistent Safari experience no matter what I’m using.

These tools have made web browsing a lot nicer for me. I’m glad that Apple added this extensibility to Safari, and I’m endlessly grateful to the developers who took the time to make these great tools.

Do any of these Safari extensions interest you? I’d love to know if you decide to try any on my list. And if I’m missing out on a good one, please let me know. Thanks for reading!

Use What Works For You

The iPad is a never-ending source of debate within the Apple community. Is it an actual computer? Can you get real work done on it? Is it the future? We can’t ever seem to decide.

In the wake of Stage Manager’s controversial rollout and a low-key update to the iPad Pro last fall, there’s been a new wave of opinions on the iPad’s place in Apple’s lineup and the lives of its users. Some of those who’ve long been the iPad’s biggest apologists are now looking elsewhere to meet their computing needs. Others are simply souring on the platform’s potential to ever be more than it currently is. The overall vibe on the iPad right now is pretty negative.

I found this all discouraging at first. As someone who’s used the iPad as their main computer for several years, I’m pretty attached to it. I have a lot of love for the platform because of all that it’s enabled me to do. So to see many people I respect feeling down on the iPad was jarring to me.

This led me to wonder if I had become stuck in my ways. I thought, “Am I in the wrong for continuing to use this device that I love so dearly? Am I letting my positive feelings toward the iPad cloud my judgment? Should I considering moving away from it, too?”

I’d be lying if I said I don’t get a bit of a thrill from being on the cutting edge. That’s what being an iPad user has felt like for a long time. But now, the general consensus is that the iPad is the old way. It’s dying. It’s time to move on.

But the more I considered this idea, the more sure I became that that isn’t the right approach for me. The reason I use the iPad is that it works for me. The hardware, the operating system, the input mechanisms, the apps—they all come together to enable me to do the things I love to do. There’s no reason to give up on that just because others might.

The truth is that I could switch away from the iPad right now. I could put it in a drawer, walk away, and never pick it up again. I’ve got a work-commissioned MacBook Pro and and iMac at home that would be more than capable of doing what I need them to do. A lot of my favorite apps even run on the Mac, and I’m sure I could find decent substitutes for the ones that don’t.

So why am I still so attracted to the iPad? There are a lot of reasons. iPadOS makes more sense to me than macOS does. I can use it more naturally and efficiently because I just connect with it. Being able to use touch and the Apple Pencil as input methods in addition to a trackpad and keyboard means I have the ultimate flexibility. And there’s still nothing quite like holding my computer tablet-style and being able to directly touch what I’m working on with my hands.

At the end of the day, the iPad is what works for me. Maybe it doesn’t work for everyone, and that’s okay. We each have to find and use whatever system works best for us. I can’t fault someone for finding a better fit for them, just like I hope no one will fault me for my choice.

Other people finding use elsewhere doesn’t diminish the value of my setup or what I’m able to do with it. That’s the beauty of technology: It’s personal, and everyone can use it to create the solutions they need. So as much as I understand why many are turning away from the iPad, I’m choosing to lean into it even more. And I can be confident in that decision knowing it’s the best one for me.